these days short-listed for 2019 Film Poetry Competition

“these are the days that were the days that would be the days…”
on the road, the long way home, with chrome and flashing lights and the danger of landscapes passing all too quickly… what did we see? what did we imagine? how will it end when control is lost?

My video these days was short-listed for the 2019 Film Poetry Competition sponsored by Poetry Film Live and was shown as part of The Big Poetry Weekend in Swindon, UK, on 4th October, 2019. The shortlist of 12 was selected from over 200 international entries.

META ´PATAPHYSICAL INTER​/​ACTIONS – a collaboration with Frédéric Iriarte

During our recent visit to Sweden, I did an impromptu recording session of poetry with musician / artist Frédéric Iriarte [UNIC6 Electroacoustic Universal Art Music]. Frédéric then composed and played backing tracks for the poems. This is a very different approach compared to my usual style. There also are some interesting conversations in the mix…

Performing live in Melbourne…

I am doing live spoken word / video projection / audio in Melbourne in collaboration with Masonik, Jutta Pryor and Eiichi Tosaki, July 19th and 20th. All new stuff, improvised, right on the edge…

Click here and here for the Facebook events.

Vocem Video: a video interpretation of Impossible Music by Sean Williams

Sean Williams’ new book Impossible Music (Allen & Unwin, 2019) tells the story of a young musician who becomes deaf, and how he overcomes this dramatic change to his life. Vocem Video is a long video based on that work that was screened at the book’s launch in Adelaide (28th June, 2019).

The text follows the order of Impossible Music, chapter by chapter, and the underlying audio is from sound files that Sean made many years ago. The animations are triggered by various components of audio files: frequency, volume, time code, modulated to varying degrees by random number generators, sine waves, and more. The sequence of the audio files follows Sean’s numerical file names.

Most of the video realisation was done in Isadora 2 with some 3D elements generated in Final Cut Pro X before importing to Isadora.